Difference between revisions of "User talk:SusanMee"
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Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods. | Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, ''Mundus Muliebris or The Ladies Dressing-Room Unlock'd'', (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (''The Four Seasons. Wenceslas Hollar'', J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods. | ||
: This is live. Lovely piece! - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 18:17, March 22, 2018 (UTC) | : This is live. Lovely piece! - [[User:PaulaMarmor|PaulaMarmor]] ([[User talk:PaulaMarmor|talk]]) 18:17, March 22, 2018 (UTC) | ||
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| + | == Norwich Stuffs == | ||
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| + | According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursual Priestley, '''The Fabric of Stuffs: The Norwich Textile Industry, c.1650-1750''' in ''Textile History'', Volume 16, Number 2, Autumn 1985, pp.183-184. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product. | ||
Revision as of 11:08, April 15, 2018
Play here!
Cunny/coney/conie/cony skinns.
A coney was a rabbit - mentioned in Gervase Markham's The English Housewife written in the early 17th century (McGill-Queen's U.P., 2003,chapter 2, paragraph 54).
'A conie is so called because they make cuniculos, is little holes or burrows under the ground'. Quoted in Janet Arnold's Queen Elizabeth's Wardrobe Unlock'd, Maney, 1988, p.362.
- This is live - PaulaMarmor (talk) 21:38, March 13, 2018 (UTC)
Black hoods
Black hoods, often of silk ('taffetie'), were a popular type of headgear for women. According to Mary Evelyn, daughter of the writer and diarist John Evelyn, a fashionable lady required: 'Hoods by whole dozens, White and black'. Mary Evelyn, Mundus Muliebris or The Ladies Dressing-Room Unlock'd, (London, 1690), reprinted by the Costume Society, 1977. Wenceslaus Hollar (1607-1677) produced a number of finely detailed engravings of costume, some of which depict women wearing hoods. 'Winter' from his Four Seasons series provides a lovely example (The Four Seasons. Wenceslas Hollar, J.L. Nevinson and Ann Saunders, The Costume Society, London, 1979). The University of Toronto's online 'Hollar Digital Collection' shows several images of women wearing hoods.
- This is live. Lovely piece! - PaulaMarmor (talk) 18:17, March 22, 2018 (UTC)
Norwich Stuffs
According to Ursula Priestley, who has written widely on the subject, 'the term Norwich Stuffs came into use in the early part of the seventeenth century to describe a specialist range of light-weight fabrics, usually of mixed composition, that evolved from the New Draperies'. Ursual Priestley, The Fabric of Stuffs: The Norwich Textile Industry, c.1650-1750 in Textile History, Volume 16, Number 2, Autumn 1985, pp.183-184. Norwich Stuffs were light-weight worsteds, made using long stapled wool which was combed to align the fibres - thus resulting in a smooth worsted yarn. Other fibres, particularly silk, were mixed with the worsted in order to add interest. Norwich weavers were very skilled at making slight variations in the weave of the fabrics so that each could be promoted as a 'new' product.
